Caroline will be presenting at Imaging USA 2016 in the Kodak Alaris booth #1820. Join her on January 10 & 11 @ 4:00 PM! We look forward to seeing you there.
My love affair with film began in college, when I first started taking art classes to balance out the heavy workload of my physics major. I ended up loving photography and one of my professors asked about my future plans; at the time I was set on continuing to get my master degree at UCLA and hadn’t considered photography as anything further than a hobby. He said, “I see so much potential in you,” and encouraged me to audit an extension class he was teaching there. It’s really funny to me now because back then I didn’t think as a grad student I’d have time for my “hobby,” but I loved it.
I loved the unique, nostalgic look of film and learned the ins and outs of working with it in my classes. While in grad school, I started planning my own wedding and fell right into the beautiful world of weddings and all the gorgeous details that come along with it. I loved the planning aspect so much that I just wanted to have a side business so I could keep my foot in that world. I had no idea that my little business would blossom into what it is today but I’m incredibly grateful to be able to work in a field I love and am passionate about.
When I started in the industry, many photographers were switching to digital photography, and that’s the age we live in. I wanted to go forward with the direction the industry was going, but found myself spending many hours behind the computer editing. Especially having started learning on film, I had a set standard for the look and feel of the colors that I fell in love with in college. I found myself spending an exorbitant amount of time on editing my photographs; I wanted a consistent look for my photos and would spend hours at the computer in post-process, getting all of my digital photos to look like film. The look is really important to me and it’s incredibly difficult to replicate. However, as my business started expanding and I had more opportunities to travel and shoot weddings abroad, I realized that the amount of time on editing wasn’t sustainable, especially if I wanted to be able to spend more time with my family.
I was pregnant with my first son, Cameron, when I made the decision to move to film. If I was spending so much time editing my photos to get that film quality aesthetic, why not just shoot film to begin with? Getting pregnant was the catalyst: I wanted to be able to spend more time with my family and less time behind the computer. I needed my business to be more efficient and wanted to work smarter.
I tried a few different photo labs before deciding to work with Richard Photo Lab. I immediately fell back in love with the process and I saved so much time on editing; it was absolutely worth it. Today with two kids and a thriving business I definitely think shooting with film is worth it to achieve both beautiful photographs and also so I can spend time where it’s important.
The best thing about shooting film is that it brought me back to capturing that look that I started with; I love the nostalgia of it, that unique style that stands out in a digital age. My favorite film to shoot is (Kodak Professional) Portra 800. Working with film for me is not just an art style, but an experience; you don’t get to see what you’re creating -you have to really know your craft. I have to think through each shot, making sure everything is beautifully composed and being mindful about what’s within the frame. Each shot is time and money, and I find that taking that deliberate process for composing each shot creates a very distinct and special product for the client.
Film produces a distinct quality of photographs that is difficult to duplicate. I had come to appreciate this look when I learned how to develop film in college, but when I started my photography business I thought going completely digital would be following industry standard. However, in order to achieve the look of film, I spent copious hours editing my digital photographs during post-process. When my husband and I started a family, I realized this process was no longer sustainable if I wanted to have time to spend with them. I’d decided to switch to film in order to save time, but it also brought me close to an art form that I loved. Photographing with film is a special experience that has no parallel; it’s challenging and thrilling to work to create compelling photographs while working with the limits of film.